By Sara Brady, Fintan Walsh (eds.)
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Extra resources for Crossroads: Performance Studies and Irish Culture
30 This 1990 Abbey Theatre production was directed by Patrick Mason and went on to become one of the Abbey’s, and Ireland’s, most successful national and international productions. 31 Extracts used were taken from the 1982 edition published by Chomhairle Bhéaloideas Éireann, University College Dublin. 32 Máire MacNeill, quoted in Dancing at Lughnasa program, Abbey Theatre 1990. Bernadette Sweeney 33 33 34 35 36 Brian Friel, Dancing at Lughnasa (London: Faber and Faber, 1990), 17. Phelan, 2007, 154.
8 Eric Hobsbawm, ‘Introduction: Inventing Traditions,’ in The Invention of Tradition, eds. Eric Hobsbawm and Terence Ranger (Cambridge: Cambridge University Press, 1983), 1. , 2. html (accessed 20 January 2004); see also A. Ó Maolfabhail, Camán: Two Thousand Years of Hurling in Ireland (Dundalk: Dundalgan Press, 1973). 11 Marcus de Búrca, The GAA: A History (Dublin: Gill & Macmillan, 2000 ), 1. , 2. 13 Ibid. 14 Mike Cronin, Sport and Nationalism in Ireland: Gaelic Games, Soccer and Irish Identity Since 1884 (Dublin: Four Courts, 1999), 73.
4 Alan Gailey, ‘The Bonfore in North Irish Tradition,’ Folklore 88 (1977): 3−28; Henry Glassie, Passing the Time in Ballymenone: Culture and History of an Ulster Community (Bloomington: Indiana University Press, 1982); Séamus Ó Catháin, Críostoír Mac Cárthaigh, Anthony D. Buckley, and Séamus Mac Máthuna, Mumming in Cross-Border and Cross-Community Contexts (Derry: University of Ulster Press, 2007); for more on mumming, see Bernadette Sweeney’s essay in this volume. , 2007; see also Henry Glassie, All Silver and No Brass: An Irish Christmas Mumming (Philadelphia: University of Pennsylvania Press, 1975).
Crossroads: Performance Studies and Irish Culture by Sara Brady, Fintan Walsh (eds.)