By K. Sieg
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Extra resources for Choreographing the Global in European Cinema and Theater (Studies in European Culture and History)
By modeling the relationship between colonizer and colonized on the hierarchy of the sexes in the bourgeois couple, these fantasies cemented their relationship as a permanently and “naturally” unequal one (Zantop 1997, Wildenthal 2001, Klotz 1995). Nor did the capitalist-communist antagonism during the twentieth Desiring the Global 35 century preclude “integrationist” fantasies. 3 In short, only by embracing capitalism can the communist shrew become a “real” woman. 6 The West German cinema suggested a natural inequality and hierarchy between capitalism and communism that was premised on the role division within the bourgeois family and thus consistent with the socially conservative gender and family policy of the FRG.
Chapter 3, entitled “Development and Migration: The Globalized Woman Comes to Neukölln,” introduces the reader to central debates in globalization theory: Does globalization contribute to the development and modernization of the global South, or does it exacerbate social and economic differences between rich and poor nations? Will the integration of women into the global labor market Introduction 27 further their emancipation from patriarchal oppression, or will it subject them to the same processes of exploitation and alienation experienced by the male proletariat during the era of industrialization, while sidelining men and potentially inverting the traditional gender order?
Introduction 21 forerunner of a number of cultural programs, including Kaleidoscope (1991–99), Connect (initiated in 1999), and Culture 2000 (2000–6, recently renewed). 5 million Euros. By 2004, it had supported more than seven hundred projects in visual, plastic, literary, and performing arts; translation; archaeology; and cultural history publicly presented in form of exhibitions, seminars, conferences, festivals, workshops, and tours. Projects encourage coproductions among participants from at least three nations and facilitate performances in all participating countries.
Choreographing the Global in European Cinema and Theater (Studies in European Culture and History) by K. Sieg