By Lynne Conner (auth.)
Read or Download Audience Engagement and the Role of Arts Talk in the Digital Era PDF
Similar theater books
According to fundamental resources, a lot of that have by no means been released or tested intimately, this e-book examines the track of the overdue 17th-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved within the wide Moravian information in Kromeriz.
This is often one of many first books to provide a rigorous research of the large adjustments within the musical theatre throughout the Eighties and 90s. additionally, it makes a speciality of the contribution of famous, severe theatre administrators to the mainstream Musical Theatre and it's the first publication to supply a twin Anglo-American standpoint in this topic.
This full of life and provocative research bargains an intensive reappraisal of a century of Shakespearean theatre. themes addressed contain modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open degree flow, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
This greatly conceived and enlightening examine how Homer’s Odyssey has resonated within the West deals a thematic research of the poem’s effect on social and political principles, associations, and mores from the traditional international in the course of the trendy. Proving that the epic poem is undying, Edith corridor identifies fifteen key topics within the Odyssey and makes use of them to demonstrate the huge and numerous impact that Homer’s paintings has had on all demeanour of inquiry, expression, and artwork.
- Letters from Backstage: The Adventures of a Touring Stage Actor
- New Directions in Theatre
- The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig
- Theatres of Learning Disability: Good, Bad, or Plain Ugly?
- Interpersonal Communication: Everyday Encounters
Extra info for Audience Engagement and the Role of Arts Talk in the Digital Era
11 Audiences of the past also made themselves as comfortable as if they were in their own homes. 12 Picnic baskets were also common at two distinctly different early nineteenthcentury venues: the working-class theaters on the Boulevard du Temple in Paris, where a meal of garlic sausage was “washed down in the course of an excursion to the nearest wineshop”13 before returning to the theater; and P. T. Barnum’s American Museum in lower Manhattan, where neighborhood families brought not only baskets of food but also babies and pets.
One thing replaces another, but does not absorb it and carry it on. There is experience, but so slack and discursive that it is not an experience. ”6 This is an important distinction, because an “aesthetic” experience implies, for Dewey, that the person undergoing it brings a consciousness toward it and is able to demark it for analysis and understanding. An anesthetic experience, by contrast, lacks the kind of intellectual and emotional engagement necessary to create a sense of satisfaction through interpretive agency.
For Dutton, the urge to experience an arts event is bound up in his belief that a work of art is “another human mind incarnate: not in flesh and blood but in sounds, words, colors . . ”8 This human desire for knowledge, whether of another person or of a set of ideas, is fundamental to the metaphorical concepts that form human cognition and the mind/brain. As linguist George Lakoff and philosopher Mark Johnson famously describe it in Metaphors We Live By, the metaphorical concepts that govern our thoughts “are not just matters of the intellect.
Audience Engagement and the Role of Arts Talk in the Digital Era by Lynne Conner (auth.)