'And Never Know the Joy'': Sex and the Erotic in English - download pdf or read online

February 2, 2018 | English Literature | By admin | 0 Comments

By C. C. Barfoot

ISBN-10: 904202075X

ISBN-13: 9789042020757

'"And by no means recognize the Joy": intercourse and the Erotic in English Poetry' delivers the reader a lot to get pleasure from and to mirror on: riddles and intercourse video games; the grammar of relationships; the crafty psychology of physically fantasies; sexuality because the ambiguous functionality of phrases; the attract of track and its tools; the erotics of dying and remembrance, are only some of the preliminary issues that emerge from the twenty-five articles to be present in this quantity, with many a call for participation to grab the day . replica, being pregnant, and worry; discredited and degraded libertines; the ventriloquism of sexual items; the benefit with which males are decreased to impotence by way of the carnality of girls; orgasm and depression; erotic mysticism and non secular sexuality; the efficiency and hazards of fruit and vegetation; the delights of the recumbent male physique and of dancing ladies; the fertile ritual use of poetic texts; striptease and revolution; silent girls reclaimed as energetic vessels, are among the various enticing themes that emerge out of the continuing and unique scholarly dialogue of intercourse and eroticism in English poetry. Contents: Preface Janine ROGERS: Riddling Erotic identification in Early English Lyrics Kevin Teo Kia CHOONG: our bodies of data: Embodying Riotous functionality within the Harley Lyrics Luisella CAON: The Pronouns of affection and intercourse: 'Thou' and 'Ye' between enthusiasts in 'The Canterbury stories' Bart VELDHOEN: cause as opposed to Nature in Dunbar s Tretis of the Twa Mariit Wemen and the Wedo Glyn PURSGLOVE: Prick-Song Ditties: Musical Metaphor within the Bawdy Verse of the Early sleek interval Mark LLEWELLYN: stop Thy Wanton Lust : Thomas Randolph s Elegy, the Cult of Venetia, and the probabilities of Classical intercourse Rebecca C. POTTER: The Nymph s answer 9 Months Later Tracy WENDT LEMASTER: reducing the Libertine: Feminism in Rochester s The Imperfect amusement Kari Boyd Mcbride: Upon a bit girl : Gender and hope in Early smooth English Lyrics Lisa Marie LIPIPIPATVONG: Freeborn pleasure : Sexual Exp

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Extra info for 'And Never Know the Joy'': Sex and the Erotic in English Poetry

Example text

In the various exchanges that occur between two main characters, both the formal and the informal pronouns are used. The knight speaks to the old hag only three times: when he first meets her, he addresses her with “ye”, the woman being old and unknown to him. Later, on their wedding night, when the old hag asks him why he does not behave in bed as a husband should, the knight tells her “Thou art so loothly, and so oold also” (III 1100). “Thou” here indicates the anger and hate that the knight 15 I have deliberately excluded The Knight’s Tale from my study because it is a romance.

Where the re-inscription of socio-cultural fears of emasculation, both in the letter (his flesh-body) and the spirit (his song of love), is reinforced in his manifest inability to write secular love poetry, the poet-persona’s direction suddenly makes a shift towards the re-inscription of religious poetry (a displaced form of “amor” for the Virgin Mary). 34 The psychic transference of sexual desire from the adulation of “midons” (“my lady”) to that of Madonna, from the earthly lady to the heavenly lady, unlike what Moshe Lazar has argued of fin’ amor however, hardly constitutes the “ultimate refinement” of courtly poetry, but subsequently problematizes its gendered norms of malefemale heterosexuality, as is shown in the second stanza: A styþye stunte hire sturne stryf, þat ys in heouene hert in hyde.

By the use of the technique of effictio – of the sunbeams (blinding light) and the vibrant colours of the lily and rose, which end in an synecdochal image of a strand of gold hair, where it becomes a larger representative of her body at large – this hyperbolic figure-of-speech is stretched even further with the metaphors and similes used to characterize the lady. However, in the uncanny way where the eschatological and scatological are aligned alongside each other as figures of comparison, this anatomizing of the woman’s body through the substitution of a series of object fetishes becomes queerly de-familiarizing (“queerly” both in the sense of “strange” and of “non-diametrically opposed gender identities”).

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'And Never Know the Joy'': Sex and the Erotic in English Poetry by C. C. Barfoot


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